• THE CONCRETELY WE
  • PARALLEL HANDS
  • THE PATH OF THE SUN طريــــق الشمـــس ًOR THE BARE LIFE أو الحياة العارية
  • HUNDERT JAHRE WEINEN ODER HUNDERT BOMBEN WERFEN
  • GHOSTS OF MEANING أشبـــاح المـعـنــى
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    • CALL ME X
  • LECTURES / PANELS / Q&A
    • WAYWARD VOICES IN INTERWAR MODERN ART: GRAMMATOLOGY VERSUS GEO-PHILOSOPHIES
    • Poeisis, Praxis, and Cultures of Resistance or the non-established Histories of Art in Tunisia.
    • WHAT CAN WE LEARN AND UNLEARN WHEN WE SPEAK TOGETHER?
    • FOR THE PRACTICE OF THE COMMON
  • WRITING / PUBLISHING PRACTICE
    • THE STRANGENESS OF THE STRANGER
    • Awham أوهام
    • I muri di Tunisi
    • HELLO STRANGER
  • ARCHIVE أرشيف
    • Ahl Al-Kahf أهل الكهف
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محمد علي لطيّف

  • THE CONCRETELY WE
  • PARALLEL HANDS
  • THE PATH OF THE SUN طريــــق الشمـــس ًOR THE BARE LIFE أو الحياة العارية
  • HUNDERT JAHRE WEINEN ODER HUNDERT BOMBEN WERFEN
  • GHOSTS OF MEANING أشبـــاح المـعـنــى
  • MOTUS
    • CALIBAN CANNIBAL- كاليبان كانيبال
    • CALL ME X
  • LECTURES / PANELS / Q&A
    • WAYWARD VOICES IN INTERWAR MODERN ART: GRAMMATOLOGY VERSUS GEO-PHILOSOPHIES
    • Poeisis, Praxis, and Cultures of Resistance or the non-established Histories of Art in Tunisia.
    • WHAT CAN WE LEARN AND UNLEARN WHEN WE SPEAK TOGETHER?
    • FOR THE PRACTICE OF THE COMMON
  • WRITING / PUBLISHING PRACTICE
    • THE STRANGENESS OF THE STRANGER
    • Awham أوهام
    • I muri di Tunisi
    • HELLO STRANGER
  • ARCHIVE أرشيف
    • Ahl Al-Kahf أهل الكهف
  • ABOUT | CV
  • NEWS

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